IACA Journal, Fall 2014 - page 5

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3
TABLE OF CONTENTS
Volume 3, Issue 3 • Fall 2014
IACA JOURNAL
IACA EDUCATION FUND
Welcome . . . . . . . . . . . . . . . . .
1
Presidents’ Messages . . . . . . . . . . . .
2
Recognizing 32 Years of Artistic Excellence:
IACA Artist of the Year
. . . . . . . . . . .
4
IACA: 40 and Still Fighting!. . . . . . . . . 10
History of the Creation of the IACA. . . . . 12
Joe Douthett: A Force Dedicated to
Protecting American Indian Art . . . . . . . 14
40 Years of American Indian Art:
From Fringe
and Feathers to Modernism
. . . . . . . . . 15
Publisher
IACA Education Fund
Editor in Chief
Pam Lujan-Hauer
Managing Editor
Joe Zeller
Art Direction
Yvonne Swartz, Kathi Ouellet
Copy Editors
Dee Dowers, Beth Hale
Ad Production
Brian Lush
Journal Committee
Dee Dowers, Brian Lush, Beth Hale
Kathi Ouellet, David Eversmann
Pam Lujan-Hauer, Joe Zeller
Advertising Sales
Brian Lush
Contributing Photographer David Eversmann
4010 Carlisle Blvd. NE, Suite C, Albuquerque, NM 87107
505.265.9149 • 505.265.8251 fax
We do our best to check all copy and images. If we have made an error or omission,
please accept our apology and contact the office to let us know.
All rights are reserved. Articles may be reprinted for educational non-commercial
purposes with permission.
IACA Policy Statement:
IACA was established in 1974 in order to promote, preserve and protect American Indian art, to set ethical
and professional standards for the trade, to provide education about the importance of American Indian art in the breadth of human
experience, and to protect consumers from fraudulent sales practices. IACA members subscribe to a strict Code of Ethics to ensure the
accurate and honest representation of the art that they sell, including the authenticity of origin and the integrity of materials used.
Additionally, through the IACA Education Fund, a separate non-profit 501(c)3 entity, publications, seminars and other educational
materials are produced to educate the public at large about the importance of preserving the precious heritage of American Indian art.
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If it is used or published in a future
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For more information or to submit
material for consideration, contact:
Pam Lujan-Hauer
Editor in Chief
505-265-9149
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